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具有“百戏之祖”称谓的安徽傩文化作为一种原始文化,是安徽省境内的重要文化现象之一。傩戏表演艺术是安徽傩文化的核心,涉及祭祀、舞蹈、歌唱以及面具服饰等多个方面,是中国非物质文化遗产中的重要代表之一。随着旅游业的兴起,安徽傩戏正吸引着越来越多的游客前来观赏体验。但是,面对数字技术的快速发展,怎样才能使傩戏文化更好地满足媒介发展的需求,是一个值得人们深思与研究的课题。本研究以理论与实践相结合的方式,运用设计心理学和交互设计理论知识,试图开发一款以傩戏为主题的移动端APP,以文化的传承为出发点,以受众的需要为落脚点,尝试对安徽傩戏进行数字化保存,旨在通过数字化手段对安徽非遗傩文化进行保护、传播和传承。
Abstract:Anhui Culture, which has the title of “Ancestor of the Hundred Opera”, is one of the important cultural phenomena in Anhui Province. The acting art is the core of Anhui Culture. It involves many aspects such as sacrifice,dance, singing, and mask and clothing. It is one of the important representatives of China's intangible cultural heritage. With the rise of the tourism industry, Anhui Nuo Opera is attracting more and more tourists to watch the experience. However, in the face of the rapid development of digital technology, how to make the Nuo Opera culture better meet the needs of media development is a topic worthy of our thoughts and research. The combination of theory and practice was utilized in this article, employing the theoretical knowledge of design psychology and interactive design theory to attempt the development of a mobile app themed around Nuo Opera. Anhui Nuo Opera's digital preservation was designed with the aim of protecting, disseminating, and inheriting the Anhui non-widow culture through digitalization.
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[2]汤付强.池州傩戏:文化特质、功能与传承创新[J].长江师范学院学报, 2024, 40(1):30-38.TANG Fu-Qiang. Cultural Characteristics, Function and Inheritance Innovation of Chizhou Nuo Opera[J]. Journal of Yangtze Normal University, 2024, 40(1):30-38.
[3]张俊祥.变革与坚守:新媒体时代池州傩戏的生存发展研究[J].红河学院学报, 2021, 19(5):95-97.ZHANG Jun-xiang. Change and Persistence:Study on the Survival and Development of Nuo Opera in Chizhou in New Media Age[J]. Journal of Honghe University, 2021, 19(5):95-97.
[4]汤书昆.“数字化生存”条件下中华多民族非遗传播的新生态[J].上海交通大学学报(哲学社会科学版), 2024, 32(3):1-17.TANG Shu-kun. New Ecology of Dissemination of Chinese Multiethnic Intangible Cultural Heritage in the Condition of “Digital Survival”[J]. Journal of Shanghai Jiaotong University(Philosophy and Social Sciences),2024, 32(3):1-17.
[5]文继奎,杜杉杉.新媒体时代池州傩戏数字影像传播的嬗变、价值与路径[J].视听, 2023,(3):7-10.WEN Ji-ku, DU Shan-shan. The Transformation, Value and Path of Digital Image Dissemination in Chizhou Nu Opera in the New Media Era[J]. Radio&TV Journal,2023,(3):7-10.
[6]李春荣,沈梅,张莹.安徽戏曲小剧种生存与生产现状研究[J].中华艺术论丛, 2021,(1):198-216.LI Chun-rong, SHEN Mei, ZHANG Ying. Research on the Survival and Production Status of Small Opera Genres in Anhui Province[J]. Chinese Art Review,2021,(1):198-216.
[7]江南,刘书勇.平远船灯舞数字化传播现状、困境及优化路径[J].成都工业学院学报, 2024, 27(2):103-107.JIANG Nan, LIU Shu-yong. The Current Status Quo, Dilemma and Optimization Path of Digital Communication of Pingyuan Boat Lamp Dance[J].Journal of Chengdu Technological University, 2024,27(2):103-107.
[8]姜恩松,王忠友.数字化生存语境下非遗的传播与传承[J].文化学刊, 2024,(1):35-38.JIANG En-song, WANG Zhong-you. The Dissemination and Inheritance of Intangible Cultural Heritage in the Context of Digital Survival[J]. Culture Journal, 2024,(1):35-38.
[9]李波,王帆.非物质文化遗产数字化传播的视觉文化再造[J].齐齐哈尔大学学报(哲学社会科学版),2023,(12):13-18.LI Bo, WANG Fan. Visual Culture Recreation of Digital Communication of Intangible Cultural Heritage[J]. Journal of Qiqihar University(Philosophy&Social Science Edition), 2023,(12):13-18.
基本信息:
DOI:10.19370/j.cnki.cn10-1886/ts.2024.S1.001
中图分类号:TP311.56;J524;J825
引用信息:
[1]汪先敏.基于新媒体背景的傩戏APP界面交互设计研究[J].印刷与数字媒体技术研究,2024(S1):1-6+17.DOI:10.19370/j.cnki.cn10-1886/ts.2024.S1.001.
基金信息: